Monday, May 30, 2011

Stills from Dad's Garage Theater Company's production of Scarlett's Web

*Photos courtesy of Macabre Puppets and Mike Katinsky

Who remembers the delightfully bloody video blog about Scarlett's Web? If you don't, then watch the video blog here and then come back to check out some awesome stills from the show!

Think Sweeney Todd. Except not Sondheim-y and with a psychotic farm-girl instead of a demon barber.

Scarlett's Web was an amazing experience for a number of reasons. It was produced at a theater that I have longed to be a part of: Dad's Garage, an improv comedy theater in Atlanta that specializes not only in improv theater, but also in producing original plays and musicals. Not only was Dad's Garage involved, but a team of incredibly talented individuals from the The Center for Puppetry Arts and a talented assortment of Atlanta's most awesome for special effects and concept development. I was so lucky to have been part of such an amazing, creative team.

Not only was it the first professional show I have ever done; it was the first musical I have ever done where I have to be onstage for the majority of the show and sing in most of the songs. Not just any songs - musically demanding songs written by a genius named Eric Frampton. I learned a hell of a lot about myself and pacing and ... man. Sorry, I'm still digesting the fact that the show has closed.

Awesome doesn't even begin to describe it.

When I posted the video blog for Scarlett's Web, I received a pleasantly surprising number of e-mails asking if the show would be re-mounted in the form of a tour, a larger production, or if there was a way they could see it without having to make a trek to Atlanta. Well, the short answer is "Um," but the long answer is, "maybe."

Until I know something more definite, I do offer a compromise: Pictures!




In the beginning, Fern (name change probably pending) is just stoked to be with her best friend, Wilbur.

Sunday, May 29, 2011

I finally found out where my people are.

I was perusing the Bloggies this morning and reconnected with a time-tested blog that I used to read religiously, Looby Lu. I'm stoked that I did. Look at this awesome video on the latest post:



After watching this, I'm almost certain that I'm a displaced Icelander.

Check out their page: Inspired by Iceland Video from Inspired By Iceland on Vimeo.

Thursday, May 26, 2011

Jas the Temp: This is how it starts.

I found myself in a massive, group shower.

A slew of people that I knew from my steadier part time job surrounded me, busying themselves with the usual day to day routine. Everyone wore their uniforms and no one seemed to question how the computers still worked or how the data transfers kept going through. In fact, no one seemed to notice that we were working in an oversized, antiquated bathtub. The bizarre factor failed to register even to me. We were doing our jobs; we were just doing out jobs in the shower.

One of the technicians turned to me and pointed to the fuzzy sillouettes on the other side of the shower curtain, saying something that I couldn't hear because the only thing that poured out of his mouth was silence. Somehow I knew he meant, "Go get the computer."

I made my way through the people, through the steam, and was so close to swinging the curtain open when the sound of a jazzy piano riff erupted from the steamy air.

Da dah da dum.

And then I heard it again.

Da dah da dum.

Suddenly I was thrown back into my bed, staring at my ceiling, aware that my phone rested on the ledge - the perfect spot to funnel the my morning alarm right into my ear canal. With one groggy swoop, I threw my arm over and picked it up. Before I could even get a hello to come out, I heard,
"Jas? Jas, are you there? Is this the right number? Good morning?"

It was Tiny, the placement specialist from the temp agency. I knew it was her because it was eight-thirty in the morning and she was the only person I knew whose ray-of-sunshine disposition could melt the entirety of Antarctica by nine.
"This is she," I said, trying to sound awake.
"Jas! So wonderful to speak with you. I hope I'm not inturrupting anything."
"Oh," I said, still fresh from an REM state, "just a big work shower."
"Pardon?"
Crap.
"Nothing, I'm sorry," I said, kicking myself.
"Well, I have an assignment for you if you're interested. Feel like being a receptionist today?"
"Uh, sure!" I replied. Was this how temping work started? With, 'What do you feel like being today?'
"What exactly do I need to do?"
"Just wear some business casual clothes and read this e-mail I'm about to send you. Fill out the attached time sheet and fax it over when you're done."

I have spent my entire life avoiding situations that require what I begrudgingly refer to as "grown-up" clothes. I have never been drawn to stores like Ann Taylor or Chico's and I only buy collared shirts if their price tag has multiple red slashes and a final markdown price of two US dollars. I once worked at a natural history museum with a "business casual" dress code. I followed the rules flawlessly for the first couple of days. Then I slowly began to stray farther and farther. Knitty sweaters and patterned stockings crept into my daily ensemble and, soon enough, I was walking into work with my wet hair pulled into a tight bun to disguise the fact that I skipped the blow dryer. It was a different time back then.

"Oh my god," I realized. "I have entered the Ladies Department chapter of my life."

Wednesday, May 25, 2011

Jas the Temp

I had uploaded a resume onto Monster.com when I graduated, but I forgot about it within months. The only leads came from pyramid schemes that promised 40k a year in exchange for my soul. I could tell they were scams based on the fact that they were interested in hiring me; my resume is riddled with the kinds of jobs filled by high school students and adults with GED’s. Plus, I’m certain that you could sense the coffee stains and splashes of salad dressing, even through the computer.

You can imagine my surprise when I received a phone call one morning from a woman named Tiny. Her personality certainly clashed with her name; Tiny’s untamed enthusiasm for literally everything poured through the speaker as she explained to me how I could greatly benefit from being a temp.
Oh my gosh. I can so already tell that you’ve got a good voice for phones. That’s amazing,” she gushed, “When can you come in and meet with us?”

The next day I pulled into the basement garage of fancy high rise building. I knew it was fancy because I spotted a dry-cleaners on the ground level. I have a strange relationship with the idea of a business high-rise. I was the sort of person who experienced legitimate surprise when I discovered that the Bank of America tower actually housed multiple company offices. I had thought it was 79 floors of Bank of America until I was sixteen.

“Greetings!” the front desk clerk said. She was wearing a navy blue tuxedo uniform with a red bowtie.
Greetings?” I thought, “Well – how nice!”
I then stepped onto the elevator, standing a little bit taller and feeling as though I had been accepted into the world of the proverbial Big Boys. Then the elevator stopped at the floor below mine and on stormed a small stampede of suit and tie wearing professionals. I was pushed to the back corner. I missed my floor because I couldn’t get out.

When I caught the exit on the way back down, I had to walk around the floor a couple of times before I realized that I had passed the entrance to the staffing agency twice. It was tucked in the back corner. I’m pretty certain that the door was a little smaller than the others, too.
Tiny was already waiting for me. She wore a humongous smile that seemed chiseled onto her face and stretched her arm out, taking my hand and shaking it vigorously as she pulled me in.
“It’s so good to meet you in person,” she said, “Follow me and we’ll get started, k?”
She led me to a small holding room with a flat screen television and a table.
“Come!” she beckoned, “Sit.”
I did.
“Now, Jas,” she said, ushering me into the chair across from her, “And you’ve just got to tell me: am I pronouncing your name right?”
People ask this question all the time and I have the answer down to a science.
“It’s like Jasper, just without the –per.”
“How exotic! You know, I used to know a guy named Jas. He owns a gas station.”
“That’s great,” I said, smiling. Good for Mr. Jas.
“So, tell me a little bit about yourself, Jas,” she said, over-pronouncing the S.
“Well, I’m an actor and I’m just looking for something flexible so that I can go on aud-”
“WHOA. Time out! You’re an actress? That's so cool! Some of our best employees are actors. Wow! This is almost like fate, isn’t it? You’re going to love it here, I just know you are. I mean, wow,” she said, pushing a mountain of forms my way. “So, yeah, if you could just get started signing these, that would be super awesome.”

She handed me a pen and left me alone to sign forms while I watched a short industrial film called A Life Successful. The video, clearly commissioned in the 1980’s, was designed to make you think that all business men looked like Sting circa the early days of The Police. It was full of helpful tips and tricks on how to nab and keep a job.

A few minutes later, Tiny poked her head through the door.
“Jas?”
“Oh, hey!”
“Done?”
“Just wrapped up, actually,” I said, handing her the papers.
“Wonderful!” she chirped, taking them and leaving as swiftly and as cheerily as she came. I sat in silence until a few minutes later when she poked her head back in.
“Jas?”
“Oh, hey!”
“Yeah, so! This is great. Everything checks out and you’re good! So now all we have to do is check your references and hopefully can start keeping you real busy, sound good?”
“Sounds great.”
“Good, good. Well,” she sighed, clasping her hands together, “that’s all we need from you right now, so you’re free to go. Oh, by the way – stop by the ATM on your way out if you didn’t bring any cash. We don’t validate parking.”

Fifteen dollars just to park in the basement of a building that boasts a dry-cleaners. I should have known. I begrudgingly handed the attendant my money and began the journey home, wondering where I would be working and for how long. I had already been a camp counselor, a museum teacher, a soda serviceer, a babysitter, and a promotional model for of all kinds of weird products.

Jas the Temp.

It seemed to have a little ring to it.

Wednesday, May 18, 2011

'Scuse Me, Ya'll: My Love-Hate Relationship With the American Southern Accent.

I was eleven years old when my father came home one evening and announced,
“They’re paving the road! They’re finally paving the road!”

People don’t believe me when I tell them that I used to live in the country. But I did. I used to walk around the yard with no shirt on and pretend that the can of diet soda in my hand was beer. I wanted to mimic my neighbor, who sported this look every time he stepped out to drink a Bud Ice on the porch or drink a Bud Ice and mowed his lawn. I was four, an age of unquestioning acceptance. Of course it made sense to drink a beer when you mow the lawn. Of course the old couple with the Chihuahuas and the motor home that parked in our yard once a year were related to me.

But four turned into five, and five turned into six, and six turned into, “Why do my classmates kill squirrels with BB guns and say mee-maw instead of grandmother?”

I was from the country alright.

“The country, huh? Where’s your accent?” people typically asked
“I got rid of it,” I typically replied.
“What? You don’t just get rid of an accent.”
“Well, I did.”
“Why?”

I never understood this question. Rarely did “because I wanted to” satisfy the urgency to know why I rejected something so intrinsic of where I came from.

Why does any young person make a distinct decision to drastically alter their speech pattern? To me, the reason was obvious: after years of mortifying attempts to fit into the Madison County subculture, I telephoned my psyche and explained the inevitable: the battle was over and turned out Andrew Jackson was an asshole.

Dropping off the radar at school proved to be easy enough; as it turned out, the kids didn't even notice my sudden lack of trying. Shaking off their influence from the other facets of my life proved to be more difficult. They were everywhere, even the places you would least expect to find the popular majority.

To me, Girl Scouts seemed like it should have been the last place on Earth that you would expect to find a hive of young, popular teenage girls. Their brand emblazoned t-shirts and flat-ironed hair seemed to clash with my idea that Girl Scouts was the equivalent of the sticky tape for the flies on teenage society like me. Historically, a scout troop provided shelter for social misfits and budding lesbians. If you were dangerously into horses or held on to an overdue obsession with Hanson, no worries; the Girl Scouts would take you.

I don’t know how it happened, but somewhere along the line, my troop began to break free of that stereotype. The girls began shopping at Victoria’s Secret and wore short shorts to our weekly meetings. They brought bikinis on our trips. I tried to follow suit, but the more I tried to be like them, the more I failed.

“Why are yew so whaat? (Why are you so white?)” they'd ask.
“Because my mother and father don’t want me to get a tan,” I’d say.
“Wayeet, hah-wold on a saykund. (Wait. Hold on a second.) Your mother? Whah dew yew tawlk so faincy? (Your mother? Why are you using the Standard American dialect?)”
They had asked me these very questions countless times before.
“Say day-dy,” they’d prod, “Say paw-paw!”
“What, like papa?”
“There, you did it!” they’d squeal and point.
“That’s so weird. Why do you talk so proper?”
I’d shrug.
“Say it again!”

At first, I was overjoyed for the attention and milked my accent for all it was worth. I’d overplay certain phrases like, “Good afternoon!” and “How do you do?”
It was fun enough for a few weeks, but the novelty eventually wore off. Soon I was crab walking on the outskirts, clicking my claws for laughs and the kids weren’t pointing and laughing the way they used to.

In a last ditch attempt to score points with the girls, I practiced blending words like ya’ll and hayouse into my vocabulary. My goal was to assimilate just in time for the three day, whitewater rafting trip that we had planned for a whole year. I had it all planned out: how I was going to talk like them and act like them; you know, the kind of plan that only makes sense to a fourteen year old. I even begged my mother to buy an expensive, two-piece swim suit from the mall. My mother, conscious of the fact I was always a little bigger than the other girls, tried to convince me to go in a more modest and less expensive direction, but I pleaded. She relented, bought the swim suit, and sent me on my way to Tennessee to go white water rafting with the troop. Little did she know about the bottle of sunless tanning foam I packed inside my sleeping bag. God, it was going to be such an amazing, life changing weekend.

Three days later, I walked in the door singing a slightly different tune. My mother was sitting in the recliner, reading a SELF. She took one look at my stringy hair and runny tan and let two eternal seconds go by before asking,
“The …? What happened to you? Did you get into a vat of iodine and go running?”
“Mom,” I announced, “I’m not going to Girl Scouts anymore.”
“What?”
“I’m done.”
“Why?”
“Because the popular girls have taken over the Girl Scout troop and I’m pretty sure they’re just as sick of me as I am of them.”
“Ok. Any better reasons?”
“I said, ‘shit!’ on the climbing wall when I pulled my wrist. And the girls were being totally unfair about it and both they AND their mothers are calling me trashy and a bad influence -”
“Like who?”
“Lucy, for one!”
“Oh, come on. Lucy? That’s the pot calling the kettle black.”
“Yeah, well, they don’t see it that way. I’m just tired of this! I’m not trashy, they are. All of them. Do you know what Lucy did in the bathroom during that school dance? Or how about how Diane did it with her cousin the summer before sixth gra-”
“What? That can’t be true.”
“It is! She had to get therapy for it because she was like, twelve!”
“Says who?”
“The social worker who came to get her out of class every Tuesday!”
“Did you see or actually talk to this social worker?”
“No, but everyone knows about it and it’s not like she keeps it any huge secret and -”
“You shouldn’t assume bad things about people.”
“You’re not listening to me! These girls are trashy and mean and somehow they and their mothers are calling me trashy and mean because I said a bad word, one bad word, and I’m sick of it! All they do is make fun of how pale I am and how I talk and -”
“Jas, you’re not going to quit something that you have invested so much time in -”
“I am not going on one more troop trip where I have to be my own buddy,” I replied.

The conversation was over.

The southern accent had negative connotations seemingly everywhere. Whenever I watched MTV’s True Life, it seemed to me that all of the troubled subjects - you know, the addicts, underage mothers, and couples who had married incredibly young only to learn that they had made a mistake - said, Ya’ll and Yonder. As I observed my classmates more and more, it wasn’t too long before I began to associate racism and homophobia with their twangy bitching. To top it off, I always had this sneaking suspicion that the road to leathery skin, Virginia Slims, and undersized halter tops was paved with unnatural tans, daisy dukes, and an over the top relationship with a white Jesus Christ. That wasn’t the future I had in mind for myself.

It wasn’t until my grandmother moved up from Brunswick, Georgia that I learned to appreciate southern accents. She has a southern accent that’s thick like molasses syrup. She grew up in Prattville, Alabama during the Great Depression.
“It was probably a lot easier for us that way,” she says, “We were a lot better off than the city folks.”
Her accent reminded me of a mix between Steel Magnolias and Fried Green Tomatoes, except she could spin a story better than any of those characters could. She moved so that she could live near my parents, making it easy to go to her house and listen to her tell stories about growing up in the (real) country. She had one story in particular that I absolutely love.

In the 1950’s, my grandfather became a priest in the Episcopal Church and moved the family to Darien, Georgia so that he could lead a small, beach community congregation. When my grandmother became pregnant with my uncle, the church hired a lady named Lettie May Netts to come in during the day and help around the house.
“Miss Lettie May,” my grandmother began, smiling, “had moved to Darien from the islands. And she had six little children that she raised all on her own.”
“Six?”
“Six. All boys, bless her,” she say, fanning herself, “So you can bet that nothing got by her. Oh, she’d be in the living room and when Birt got home she’d run to the door and snap her fingers and say, “Take off your shoes Mr. Birt!”
“Did he?”
“Oh yes,” she replied, a look of mild concern on her face, “You didn’t argue with her. She ran that house. And when I got too big to go up and down the stairs, she snapped her fingers at me, too!”
She normally starts laughing when she arrives to this part of the story.
“That woman,” she’ll say, pantomiming the story, “would ru-u-u-un up the stairs and r-u-u-un back down. Lord have mercy, she was like lightning. I said, ‘Miss Lettie, slow down. You could fall!’ and she just snapped her fingers and said, ‘Miss Betty, go lay down like the doctah said, now!”
A Caribbean accent wasn’t my grandmother’s strongest selling point, but part of the charm was that she had no idea how funny it sounded.
“Anyway,” she’d continue, “She helped me give birth to your uncle at home. And I thought it was strange when she said all matter-of-factly, ‘Miss Betty, you gotta tell me when the cord comes off.”
“The umbilical cord?" I inturrupted, "I thought that comes off when the baby’s born."
“Sure it is, if you go to a hospital. But if you have a baby in the house, you’re out of luck until it falls off. So,” she continued, giving little time for that piece of information to process, “days go by. And each day, she asks me, ‘Miss Betty: that cord come off yet?’ or, ‘Don’t worry, Miss Betty, I went and checked. That cord’s still on tight!’ So one afternoon, I was chatting with Mr. Laudale, the bachelor from over the fence, and out the house runs Miss Lettie May Netts, just a’screamin, ‘Miss Betty! Miss Betty! That cord done come clean off! That cord come off!’ Oh, you should have seen Mr. Laudale’s face. He had never been around any children except mine and -”
“…Did she have it on her person?”
“Oh, no, she had wrapped it up in one of your uncle’s cloths. She said, ‘I’m gonna bury it, Miss Betty, I’m gonna find some…’ Oh, what was it she wanted… Turkey legs, gizzards, something. It was so long ago, I can’t remember. But she was so excited, saying, ‘I’m gonna bury it, Miss Betty, I’m gonna bury it and don’t you worry: your baby boy will live a long life and be real smart!”
“So what did you do?”
“I let her have it.”
“Really?”
“I mean, I didn’t need it,” she replied, “so I said ‘go ahead.’ She buried it and danced and - oh, I don't know. Said she did it with all of her boys. They turned out fine.”
“You let her do an island ritual with Uncle J’s umbilical cord?”
“Well, he’s healthy and smart, isn’t he?”

You can’t argue with logic like that; of course my grandmother, wife of an Episcopal priest, let Ms. Letts use my uncle’s umbilical cord to secure a possible voodoo blessing on his life. The story was too good to keep to myself. I eagerly tried to share it to a friend of mine during college, only to deflate as I realized that a key component of the story was missing: I could not, for the life of me, recreate my grandmother’s accent. I couldn’t even approach it. She had generously gifted me a piece of oral history that demonstrated my lineage’s fondness of all things seemingly bizarre and I was completely unable to do it justice. Suddenly I felt very sheepish. I had fought against the accent for so long that I had nearly eradicated it. But why? Because I was scared of sounding like people I went to high school with?
“Oh, boo hoo,” I thought to myself.

Then it dawned on me.

It isn’t the accent that makes a dumbass and/or a bigot. It’s the fact that they are a dumbass and/or a bigot that makes them a dumbass and/or a bigot. They always were and, if they’re stupid, they always will be.

Here’s the thing. I am dangerously obsessed with Dolly Parton and Reba McIntyre; I think Talladega Nights is one of the funniest movies I have ever seen; and, for the record, my grandmother is awesome. I want to be able to tell all of her stories with the same, tangy enthusiasm that she has. In fact, I want to be able to tell my own stories with that same, twangy enthusiasm; some of the most hilarious stories from my childhood are the most southern ones.

When people asked why I lacked a southern accent, I used to give them a long winded explanation that left all parties bitter and confused. Since I’m at a point in my life where it doesn’t matter what my classmates did however many years ago, I can give it a rest. Now whenever someone asks me where my ya’lls went, I look back fondly to my childhood days – the ones where I’d rip off my shirt and tell my mother that I was going to drink my (diet coke) beer and wear cut-offs - and say,
“Oh, who knows?”

Thursday, May 5, 2011

Jas's Voice Over Demo!

Check out my voice over demo!



That just goes to show you what magical wonders you can crank out when you climb into the closet with a Yeti Pro and a shield of panty-hose!






And that, friends, is how you make a poor man's vocal demo.

Wednesday, May 4, 2011

A Day in the Life of an Extra, as told by CatPaint.

A couple of weeks ago, I got my first taste of television extra work in the south and let me tell you: I now believe, with all of my heart and soul, that all actors who are serious about what they do should be an extra at least once. I believe this to be true the same way that I believe everyone, regardless of their place in the world’s undeniable caste system, should try their hand at serving in a restaurant. Everyone needs to know how it feels to be at the bottom. Whenever you wait tables or work as an extra, you are at the mercy of people who are better than you. Their work is much more important than anything you are doing and you are there, god willing, to make their job easier. It’s a small price to pay to not only learn proper on-set etiquette, but get paid for it - which is excellent news for me since I can’t afford classes right now. Besides, it helps you build character. It’s almost like a game: the extra that makes it through the end of the day without getting yelled at is a winner. Bonus points if the assistant directors (AD’s) keep pulling you to be used on camera.

I took pictures to document the whole experience, but since being an extra turned out to be 90% sitting in a room with a bunch of other people who are sitting in a room, I had to figure out how to make these images pop and relate the true existence of a TV show extra. I managed to achieve my desired result with a little tool that I like to call, “Catpaint.”


Being an extra starts with waking up early to become camera ready by the time you start your car. Once you arrive at your destination, you must cross your fingers and pray that you find extras-parking. Sometimes they make it easy with for you with a sign with “EXTRAS PARKING” written on it. More than likely, though, you will be left to your own devices to park your car where it is supposed to go instead of a ditch. I say this because I almost did just that when I tried to find Extras parking for this particular television show. I drove around until I found a woman walking out of a lot with a trio of outfits covered in a trash bag.
“Yup,” I thought, “That’s extras parking.”

I parked my car and followed the signs to a giant holding room. I sat down at a table of mostly young adults; girls that seemed to have no interest whatsoever in talking to me. Well, except one.

“So you’ve never been an extra before?” she asked. “Oh my god, it’s the worst. I mean, it’s like the best but it’s totally the worst. You just sit around all day but sometimes they pull you to be used on camera and that’s pretty cool, I guess, but seriously, my dream is to be a model or a lawyer or a make-up artist but I haven’t decided. I don’t know why I keep coming back to do this crap, but my agent thinks that I should -”
“Wait, wait,” I interrupted, “Your agent? Who are you with?”
“Top Talent - shit,” she said. “Don’t repeat that. I’m not supposed to be telling people that my agent sets me up with extra work.”
“Why not?”
“Because. It looks bad for them.”

A little light bulb went off in my head. I pulled out my phone. The social media pages for other talent agencies in the region were pouring with updates like, “Congrats to (actor) for booking the television show “Pop Star!”
“Congrats to (actor) for also booking the television show “Pop Star!”
“Congrats to (actor) for also booking the television show “Pop Star!”
“Congrats to (actor) for also booking the television show “Pop Star!”
“Congrats to (actor) for also booking the television show “Pop Star!”

“You mean this is all extra work?” I asked, showing her my screen.
“Oh, yeah,” she said, thumbing through the updates, “Actually, most of them are. I mean, some of it really is a legitimate part in the show, like this guy right here,” she said, showing me a head shot of a balding man with a mustache, “but seriously: how many supporting roles are you actually going to book for one tv show? Think about it. From the same agency? I don’t think so.”

I was looking forward to hearing more local industry tidbits, but the girl opted to go sit at the “High School Outcast” table when she spotted a friend of hers. I pretended to busy myself with fixing a coffee and admiring the gracious selection of 2% creamers when, finally, I spotted the most welcoming site I had seen all day: fellow Atlanta actress Kelly H. We worked together on one of the three student films I did back in the fall. I had to pee on camera in two of them and Kelly was in the one where I peed the hardest. An experience like that draws people together, so naturally we became actor-friends.
“Kelly!” I shot up and waved.
“Oh my god,” she whispered, peering at the hall of extras, “I’m so happy that someone I know is here. This is crazy.”


An hour and a half later, crazy was the last word we would use to describe our place in the universe. Wardrobe had already made the rounds, picking out the individuals that didn’t follow the dress code that they e-mailed out the night before. The Production Assistant (PA) had already come in and presented us with a pay-form and an explanation as to how to fill the thing out. I still question the “explanation” part.

“This,” she said, “Is your payment form. Fill it out correctly. Put this here and this here and this goes here and if you don’t have your proper ID on you, then what are you thinking? Also, don’t leave your stuff on the tables! Keep this place clean! If you don’t do what I say, we will know who you are and you will not be coming back, so keep that in mind. Also, I need everyone to get up and find your group. If you're a reporter, sit at the table that says, "PRESS." If you're a high school outcast, sit at that table."

Two hours went by while we sat in holding and got to know our fellow extras. Now I know what they mean when they say, “an extra shows up to wait.”

And then we waited some more. This is a picture of some people waiting.

And while we were waiting, Kelly began talking about how much she loved Ewan McGregor. I asked if she had ever seen Trainspotting. She asked me what that was, so I showed her.

Three and a half hours later, we were still sitting at the same table. The get-to-know-you chit chat had died down and the other extras took out books to read or phones to play with. Kelly and I began to give exclusive commentary on the extras sitting over at the table labeled, “High School Outcasts.”

I’m not kidding. You can’t see it, but those are cat ears on her hat. How appropriate!

Finally, the PA came and fetched us.
“Hustle, people, hustle! Don’t take all day!”
“Where’re we going?” someone asked.
“To the props tent. Tell the nice man who you are - and by who you are we mean what your role is - and he’ll give you something special. You’re going to guard whatever he gives you with your life. Got it? Awesome, let’s go.”

Check out some of the props they gave to our table. Our table was labeled “Press and Camera Men.”
Apparently this guy is the bomb dot com when it comes to prosthetic limbs.

After being properly outfitted with props that probably had more worth than I had accumulated in my entire life, we went back to the holding hall and waited some more. Craft Services (the people who make the delicious food on set) must have felt for us, because they brought the leftover donuts from the shooting location. One of the men dressed as a policemen couldn’t resist the kodak potential.
“Look!” he said, “I’m a cop! And I’m grabbing a donut!”

Apparently he’s not aiming to be a career actor. I don’t know why; he totally could. Look at that tan!

Finally, the PA came to the holding room and whooped,
“ALRIGHT, guys. Let’s move out!”

She led us outside to meet a team of AD’s that strategically placed us amidst the shoot.
“You,” one guy said, pulling me by the elbow, “Interview these kids about the scandal.”
“Sure thing,” I replied.
A minute later, another AD came over and said, “You there. Come be a reporter for this camera crew!”
“Will do,” I replied.
There is something to be said for following the dress code and maintaining eye contact, because the AD’s kept pulling me to and fro, giving my camera crew and me more stuff to do each time.

After the outdoor shoot, they kept a few of us for some courtroom shots inside. I changed clothes and lined up in the hallway, waiting to be used. This is a legitimate, on set picture. Look at all that steamy, hot, extra action:

This was possibly my favorite part of the whole day. I got to be on camera with three of the main actors on the show - except because I was an extra, I had to pretend like I was walking off camera and not interacting with them in any way. Because of how the building was set up, there was a wall blocking my escape path.
“Jas," said the AD, "just hug your body to the wall when you can’t go any further and freeze until the scene is over. Think like a barnacle.”
“Got it.”
So for all of the takes it took to shoot the scene, I spent half the time with my mouth suctioned against a wall like a feeder fish. I kept thinking of that face that Amy Adams made in Drop Dead Gorgeous when she first introduced her character and the wrestling team - the Sea Mutskies - that she cheered for.

Shooting wrapped soon after. I was walking back to the holding area to get my things when the 1st AD stuck his head from out of the hallway.
“Hey,” he called out, “Great job.”
It felt nice.

The only thing about being an extra that I didn’t like was the example that we had to follow for the payment vouchers.
“Everyone, just put that you were here from seven to seven. We’ll sort it out later,” the PA said, “and as far as your forms go - WHAT? Oh my god, this is so not correct.”
She grabbed a pen and began marking on nearly all of the I-9’s.
“Wrong,” she muttered. Then again:
“Wrong.”
“Wrong.”
I could have sworn that my form was filled out correctly and according to the example. Then she got to me.
“Oh god, all kinds of wrong.”

I bit my tongue and fought my urge to tell her that I had followed the example she gave me, but then I realized that it wasn’t just me that was having issues. It was almost everyone. I took another look at the example sheet and saw why:

(Not actual example. But close.)

Working as an extra in the southeast is considerably different from working as an extra in California. In Los Angeles, there are people who make an arguable living working as extras. The rate of pay for a typical set day is somewhere between $110 + overtime. In Georgia or any other Right-to-Work state, they can get away with paying you anywhere from $20/no overtime to $64 dollars + overtime for the day. In California or any other union-state, you receive a bump-up in pay if you have to change costumes or if your face is distinguished on camera for more than three seconds. You receive a serious bump in pay if they give you a line - even if it’s just one word. In Georgia, no such provisions exist.

I would rattle on about the differences in pay, but it would be a moot point since I have no desire to be a career extra. I’m just a girl who really needs the money and the experience and also happens to enjoy to hanging around the edges of the fish tank. After all, those little brown ones that suck on the sides of the aquarium will say the most interesting, off the wall things if you give them - and by them I mean us - a chance.


All in all, I’d say that it was a good day and a great learning experience. If anything, there’s always this: